In this astonishing meta-fiction, Radu Jude continues his refreshing streak of scathingly hilarious, politically-charged social dramas as an underpaid production assistant works overtime on a commissioned safety video.
Continue reading →
In this astonishing meta-fiction, Radu Jude continues his refreshing streak of scathingly hilarious, politically-charged social dramas as an underpaid production assistant works overtime on a commissioned safety video.
Zulawski’s infamous cult horror about a couple’s disintegrating marriage is as deranged a film as any, featuring a terrifying performance for the ages by Cannes Best Actress winner Isabelle Adjani.
Scorsese’s scathing work about the exploitation of the Osage tribe in the 1920s by conniving White men is both intimate and expansive at the same time, and so well-paced that it makes 3½ hours feel like only two.
A stunning ‘ethnographic’ work by Imamura about the age-old clash between ritualistic tradition and disruptive modernity as a Tokyo engineer visits an isolated island in order to develop it, only to find a superstitious, and even, incestuous, family dictating the law of the land.
Skolimowski goes into Nicolas Roeg territory in this idyllic English countryside drama that turns into inexplicable psychological terror when a couple is disrupted by the presence of a mysterious man who knows Aboriginal magic.
A professor and his vagabond colleague become acutely aware of their lust, mortality and bad dreams in this intriguing ghostly tale from Suzuki that is somewhat bogged down by its protracted runtime.
A popular singer anxiously waits for her medical test results in this charming yet reflective drama that remains one of Varda’s best-known works from the French New Wave era.
An exceptional if bleak drama with musical interludes, Tsai’s prescient work explores a virus epidemic and severe climate change hitting Taiwan—his style is still unmistakable and, best of all, he finds new levels of miserabilist humour.
Tsukamoto’s latest is somewhat a mixed oddity, set in the torrid aftermath of WWII and centering on several characters who must eke out a survival while confronting personal trauma, shot in a handheld style with a digital indie look.
This haunting debut feature about a group of schoolgirls shielded from the modern world is best described as ‘Dogtooth’ meets ‘Petite Maman’, marked by an unsettling sound design and an acute sense of false normalcy.