Continue reading →Its extraordinary locational cinematography occasionally threatens to overwhelm the narrative, but its elliptical approach reveals more depth than it appears to have.
Continue reading →Its extraordinary locational cinematography occasionally threatens to overwhelm the narrative, but its elliptical approach reveals more depth than it appears to have.
Continue reading →A weaker, overdrawn sequel that doesn’t quite know where to take the characters to—but it can be frightening at times, though also emotionally shallow.
Continue reading →You really can’t get any more ‘Hong Kong classic’ than this masterful actioner by John Woo.
Continue reading →An elegiac if delicately-directed film by Ozon about lies, truths and the aftermath of war affecting the lives of those that continue to live.
Continue reading →A psychologically complex drama with an impressive narrative structure that pits several men against a centuries-old institution, in what is a riveting based-on-a-true-story take on paedophilia and the Church.
Continue reading →This droll, sometimes utterly amusing comedy of sight gags, makes certain sharp socio-political observations, but is ultimately too slight and inconsistent a film to really work.
Continue reading →Ozon is back in fine form with this fun and twisted take on voyeurism and hidden desires.
Continue reading →A clever take on the psychological-horror genre where the most sinister thing is a piece of cloth, but it is not tight enough to truly enthrall.
Continue reading →A straightforward adaptation of Stephen King’s novel that offers thrills and spills through an orthodox, tick-the-checkbox style horror movie, though the solid cast chemistry should win you over.
Continue reading →A high point in Gregg Araki’s inconsistent career that tackles a taboo subject matter whilst balancing its dreamy filmmaking style with raw fervour.