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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

2,000 Meters to Andriivka (2025)

January 24, 2026January 24, 2026 by Eternality Tan

Distant (2002)

January 19, 2026 by Eternality Tan

Palestine 36 (2025)

January 12, 2026January 12, 2026 by Eternality Tan

Golden Globes 2026 Prediction

January 11, 2026January 12, 2026 by Eternality Tan

Ikiru (1952)

January 4, 2026January 12, 2026 by Eternality Tan

Exploring #18: Alice Rohrwacher

December 29, 2025 by Eternality Tan

Blue Moon (2025)

December 27, 2025 by Eternality Tan

Love in the Afternoon (1972)

December 22, 2025December 22, 2025 by Eternality Tan

Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

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Tag / UK

March 17, 2021October 3, 2021 by Eternality Tan

Red Shoes, The (1948)

  • Criterion Collection, Powell, Michael, Pressburger, Emeric
  • 1948, Emeric Pressburger, Michael Powell, UK
  • 4 Comments

A ballet dancer is torn between romance and ambition in one of Powell and Pressburger’s most glorious and ravishing Technicolor triumphs.

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Rating: 4 out of 5.

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February 13, 2021December 1, 2023 by Eternality Tan

Mr. Jones (2019)

  • Holland, Agnieszka
  • 2019, Agnieszka Holland, Poland, UK
  • Leave a comment

Good but not great, this handsomely-mounted biopic about a Welsh journalistโ€™s news-breaking report on the Ukrainian famine of the early โ€˜30s under Stalin is a welcome introduction to a murky and disturbing part of 20th-century history.

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Rating: 3.5 out of 5.

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February 4, 2021October 18, 2021 by Eternality Tan

Stoker (2013)

  • Park, Chan-wook
  • 2013, UK, USA
  • 3 Comments

A disappointing effort by Korean auteur Park Chan-wook – an unfortunate case of too much style and too little substance.

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Rating: 2.5 out of 5.

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November 16, 2020November 16, 2020 by Eternality Tan

Cul-de-sac (1966)

  • Criterion Collection, Polanski, Roman
  • 1966, Roman Polanski, UK
  • 2 Comments

Polanskiโ€™s Golden Berlin Bear winner traverses the territory of absurdist cinema in what is a sporadically engaging but sharp commentary on power plays associated with psychological sadism and the gender and classist pressures to conform.  

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Rating: 3.5 out of 5.

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August 30, 2020June 10, 2024 by Eternality Tan

Following (1998)

  • Criterion Collection, Nolan, Christopher
  • 1998, Christopher Nolan, UK
  • Leave a comment

Startlingly assured debut by Christopher Nolan in this noir-mystery that lays the first brick for ‘Memento‘ (2000) and ‘Inception‘ (2010).

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Rating: 3.5 out of 5.

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August 25, 2020August 31, 2021 by Eternality Tan

Dunkirk (2017)

  • Nolan, Christopher
  • 2017, Christopher Nolan, France, UK, USA
  • 7 Comments

A staggering technical and visual storytelling achievement, Nolanโ€™s WWII epic continues his unparalleled run of blockbuster form.

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Rating: 4.5 out of 5.

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August 21, 2020 by Eternality Tan

Frenzy (1972)

  • Hitchcock, Alfred
  • 1972, Alfred Hitchcock, UK
  • 3 Comments

A late career high of sorts as Hitchcock returns to the UK to shoot another ‘wrong man’ picture in the guise of a serial killer thriller.

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Rating: 3.5 out of 5.

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August 4, 2020December 16, 2021 by Eternality Tan

Swimming Pool (2003)

  • Ozon, Francois
  • 2003, France, Francois Ozon, UK
  • 3 Comments

Nothing is certain in Ozonโ€™s layered, erotic mystery about the commingling of reality and imagination with the creative writing process, featuring excellent performances by Charlotte Rampling and Ludivine Sagnier.

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Rating: 3.5 out of 5.

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July 19, 2020December 28, 2022 by Eternality Tan

Murder! (1930)

  • Hitchcock, Alfred
  • 1930, Alfred Hitchcock, UK
  • 1 Comment

An enjoyable early murder mystery by Hitchcock that explores how theatre and life can intertwine in what is a precursor to the likes of โ€˜Stage Frightโ€™ and โ€˜The Wrong Manโ€™. 

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Rating: 3.5 out of 5.

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July 18, 2020August 1, 2020 by Eternality Tan

Stage Fright (1950)

  • Hitchcock, Alfred
  • 1950, Alfred Hitchcock, UK
  • 1 Comment

One of Hitchcockโ€™s most underrated worksโ€”and it sees the director at his most patient, crafting a tale that builds up spellbindingly.  

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Rating: 4 out of 5.

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