A sensitively-drawn debut feature about a trans-child who must navigate burgeoning notions of gender identity amid confusing signals sent by her family, shot in a naturalistic style befitting the very nature of self-discovery.
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A sensitively-drawn debut feature about a trans-child who must navigate burgeoning notions of gender identity amid confusing signals sent by her family, shot in a naturalistic style befitting the very nature of self-discovery.
Black sardonic humour abounds in this tale about the farce of capital punishment when a man is forced to marry an executionerโs daughter and has to become one himself in order to keep the apartment allotted by the state.ย
Serraโs latest โslow cinemaโ effort is at times hypnotic and beguiling, though it isnโt always consistently rewarding as he weaves a tale set in Tahiti about a stagnating High Commissioner who becomes privy to the prospect of something unimaginably nightmarish happening to his beloved French Polynesian island.ย
French New Wave icon Jean-Pierre Leaud lies bedridden for two hours in Albert Serraโs exquisite, slow-burning 18th-century take on the agonising final days of the famous Sun King, shot with such a high fidelity to history that one might mistake it for documentary authenticity.
A decent Spanish comedy that pokes fun at the film industry, acting and the creative process, benefiting from the wonderful charisma of its trio of actors.
This finely-tuned Berlinale Golden Bear winner recalls the spirit of Rohrwacherโs The Wonders, showcasing a close-knitted inter-generational Spanish family of peach farmers who face the threat of eviction from their land.
A mid-tier Almodovar as he weaves a story of mothers and babies against a dark national historyโit doesnโt always find a sure footing in terms of tone and theme, but the indelible performances and the auteurโs knack for creating suspense out of melodrama do help.
Almodovarโs Stockholm syndrome drama will probably be cancelled if made today, but while it isnโt a home run by his provocative standards, it features two impressionable performances by Antonio Banderas and Victoria Abril.
Even a master filmmaker can misfire big time in this shallow and messy star-studded stab at telling the narrative of the infamous โCuban Fiveโ.
Not top-tier Almodovar, but he fashions an unsettling, and at times, outlandish treatment on both psychological and gender identities.