Continue reading →Dolan’s pretty decent second feature is an inverted “Jules and Jim”-meets-Almodovar-type picture, showcasing his penchant for stylish and crisp filmmaking.
Tag / Canada
Laurence Anyways (2012)
Continue reading →Self-indulgent yet showing maturity beyond his years, Dolan’s third feature draws top-notch performances from its leads and makes us feel the emotional and psychological complexities associated with being a transgender.
It’s Only the End of the World (2016)
Continue reading →Not exactly a rewarding film, but this intensely bleak and implosive drama makes a fine point or two about the state of dysfunctional, incommunicable families.
Mommy (2014)
Continue reading →Intense, zippy, and featuring tour de force performances by the lead cast, this relentless drama exudes the kind of youthful confidence that is so unique to Dolan’s works.
Clean (2004)
Continue reading →Backed by a terrific performance by Cannes Best Actress winner Maggie Cheung, Assayas explores the theme of redemption through the inner workings of head and heart.
Eternality Tan 