A visceral and elemental tale of survival and revenge by Team Inarritu-Lubezki, fronted by a physical, tour-de-force performance by DiCaprio.
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A visceral and elemental tale of survival and revenge by Team Inarritu-Lubezki, fronted by a physical, tour-de-force performance by DiCaprio.
With the superb pounding drum score, and terrific performances by the cast, this latest effort by Mexican hotshot Inarritu is one of the most entertaining films of the year.
A departure from his earlier ‘hyperlink’ films, Inarritu’s soul-searching work features Cannes Best Actor winner Javier Bardem, as a story about one manโs relationship with his community, family and existential self unfolds rewardingly.
One of the most important works of Mexican cinema to emerge at the turn of the century, this is still Inarrituโs finest achievement as separate narrative threads collide (literally), sparking a thought-provoking treatise on life, love and loss.
‘Exploring’ features the filmographies of filmmakers that I’ve largely completed and celebrates them on the week of their birthdays.

Four narrative threads combine, however intricately or tenuously, to create a tapestry of natural and human geography, as Inarritu explores the theme of incommunicability and personal responsibility with the kind of storytelling bravura he has been known for.
The second film of Inarrituโs โhyperlinkโ trilogy may occasionally feel overwrought by design, but the top-tier performances from Naomi Watts, Sean Penn and Benicio Del Toro give it the requisite emotional intensity to work.
Inarrituโs surrealistic personal work about the crisis of Mexican identity fails to overcome its early sluggishness and narrative inertia despite many moments of visual and technical flourishes, making it his career-worst film.