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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

Crash (1996)

December 9, 2025December 9, 2025 by Eternality Tan

Orlando (1992)

December 2, 2025December 2, 2025 by Eternality Tan

Nouvelle Vague (2025)

November 29, 2025 by Eternality Tan

Pat Garrett and Billy the Kid (1973)

November 26, 2025 by Eternality Tan

Dracula (2025)

November 21, 2025 by Eternality Tan

Clouds of May (1999)

November 17, 2025November 17, 2025 by Eternality Tan

Sirat (2025)

November 11, 2025 by Eternality Tan

Bonheur, Le (1965)

November 9, 2025November 26, 2025 by Eternality Tan

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Tag / 2018

January 4, 2025 by Eternality Tan

Hale County This Morning, This Evening (2018)

  • Others
  • 2018, Documentary
  • Leave a comment

Nondescript and mundane at times, this Oscar-nominated documentary about the black community in Alabama transforms somewhat into a more interesting, free-association piece though it isnโ€™t quite the resoundingly meaningful work of observational, diaristic cinema it thinks it is. 

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Rating: 3 out of 5.

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October 1, 2024 by Eternality Tan

3 Faces (2018)

  • Panahi, Jafar
  • 2018, Iran, Jafar Panahi
  • 3 Comments

Panahiโ€™s fourth feature since his house arrest is familiar in terms of his usual mode of cinematic address, but this time he paints a desolate picture of patriarchy rearing its ugly head amid some quiet moments of poetic beauty.

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Rating: 4 out of 5.

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July 1, 2024 by Eternality Tan

Burning (2018)

  • Lee, Chang-dong
  • 2018, Lee, Chang-dong, South Korea
  • 3 Comments

An enigmatic mystery that patiently develops and then becomes deeply entwined within its ambiguities, in what is another hypnotic gem by South Koreaโ€™s finest working filmmaker.

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Rating: 5 out of 5.

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March 18, 2024March 25, 2024 by Eternality Tan

Great Buster, The (2018)

  • Bogdanovich, Peter
  • 2018, Documentary, Peter Bogdanovich, USA
  • Leave a comment

A wonderful tribute and starting point to explore one of American silent cinemaโ€™s greatest exponents, judiciously put together by narrator-director Bogdanovich.

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Rating: 4 out of 5.

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February 26, 2024 by Eternality Tan

Unsane (2018)

  • Soderbergh, Steven
  • 2018, Steven Soderbergh, USA
  • 1 Comment

Soderbergh’s half-decent iPhone-shot ’90s style psycho-thriller induces paranoia and discomfort through its constricted visual style, and backed by a terrific performance by Claire Foy.

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Rating: 3 out of 5.

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September 7, 2023 by Eternality Tan

Museo (2018)

  • Ruizpalacios, Alonso
  • 2018, Alonso Ruizpalacios, Mexico
  • 1 Comment

This superb sophomore feature from one of the finest Mexican filmmakers working today is infectious with its artistry as it tells of two men who robbed a famous museum in Mexico City in 1985.

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Rating: 4 out of 5.

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July 3, 2022 by Eternality Tan

Mirai (2018)

  • Hosoda, Mamoru
  • 2018, Japan, Mamoru Hosoda
  • 1 Comment

Hosodaโ€™s work here is generally delightful, but it is perhaps too slick and flashy to overcome its sometimes laboured storytelling about family and lineage.ย 

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Rating: 3 out of 5.

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May 11, 2022 by Eternality Tan

Donbass (2018)

  • Loznitsa, Sergei
  • 2018, Sergei Loznitsa, Ukraine
  • 1 Comment

A rare narrative feature from one of the worldโ€™s foremost documentarians of Soviet history, this vignette-style dark absurdist satire doesnโ€™t pull its punches from depicting the sorry state of affairs in Russian-occupied Eastern Ukraine.ย 

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Rating: 4 out of 5.

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November 30, 2021January 24, 2023 by Eternality Tan

Ayka (2018)

  • Others
  • 2018, Russia, Sergei Dvortsevoy
  • 2 Comments

An extraordinary work of hard-hitting social realism that recalls the Dardennesโ€™ ‘Rosetta’ and Mungiuโ€™s ‘4 Months, 3 Weeks and 2 Days’, set in the harsh wintry conditions of Moscow as a young Kyrgyz woman abandons her baby to find work to pay off insurmountable debts. 

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Rating: 4.5 out of 5.

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November 5, 2021 by Eternality Tan

Asako I & II (2018)

  • Hamaguchi, Ryusuke
  • 2018, Japan, Ryusuke Hamaguchi
  • 1 Comment

Excellent performances of nuance and subtlety aside, Hamaguchiโ€™s work here is emotionally rich but its plot shifts remain unconvincingly executed.ย 

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Rating: 3 out of 5.

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