Spielberg’s first animated feature is ‘Indiana Jones’ meets ‘Pirates of the Caribbean’ in one of the year’s most entertaining movies.
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Spielberg’s first animated feature is ‘Indiana Jones’ meets ‘Pirates of the Caribbean’ in one of the year’s most entertaining movies.
While it isnโt as narratively bold and exciting as some of Studio Ghibliโs best works, there is still an emotional story about family and complicated pasts lying within.
Gorgeous visuals and extraordinary sound design as expected from avant-garde filmmaker Amit Dutta, but itโs more meandering than usual despite the unusual sci-fi concept.
A surprisingly uneven film with a lack of character and historical focus on 1937 Nanking.
A disturbing and occasionally powerful look at youths with suicidal tendencies through the off/online realms that they inhabit.
Herzog’s take on capital punishment from a humanistic standpoint – haunting, hopeful, and strange.
A recovering drug addict leaves his rehabilitation centre for a day to visit his acquaintances in this restrained, melancholic if also warmly empathetic second feature by Joachim Trier.
Not top-tier Almodovar, but he fashions an unsettling, and at times, outlandish treatment on both psychological and gender identities.
Shot in the Punjabi language, Gurvinder Singhโs Venice Orrizonti-selected first feature is both meandering and meditative at the same time, with fine attention to environmental detail.
Loads of explicit sex and misogyny wrapped in this study on sexual degradation and the politics of the (female) body, but wished it was more gripping.