Tomm Moore’s debut feature is a visual feast that evokes a sense of wonderment even if it may be narratively slight.
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Tomm Moore’s debut feature is a visual feast that evokes a sense of wonderment even if it may be narratively slight.
Interesting but uneven, and ultimately conventional despite its experimental intent, this shot-in-16mm tribute to Filipino auteurs Lino Brocka and Ishmael Bernal operates as a diptych capturing the underbelly of Manila.
A Wes Anderson masterpiece of craftsmanship, direction and visual storytelling that is arguably still his finest work.
An outrageous stunner, Park’s ‘vampire’ movie exploring the sin of desire and the limits of religious faith is a genre-bending and unsettlingly beautiful work.
Pixar matures considerably with this delightful offering, despite an unimposing villain and a climax that feels too rushed.
Possibly the worst film in Zhang Yimou’s career, this remake of the Coens’ ‘Blood Simple’ is a travesty on every count.
Despite ending rather abruptly, this is a generally intriguing fictional retelling of Mussolini’s private life and affair with the ill-fated Ida Dalser.
An eye-opening documentary with an interesting use of sound, about morbidly rich penthouse-residing Brazilians and why they choose to literally live the high life.
A strong performance by Romain Duris canโt quite lift Patrice Chereauโs faltering final film about the incommunicability and anxiety of human relationships.ย