A recently-widowed mother who yearns to be independent and her overprotective son cross paths in what is a slightly nondescript second feature from Meszaros about the perceived strengths and weaknesses of familial bonds.
As fascinating as it is arcane, this visually and aurally arresting work from Armenia defeats categorization, but is indescribably hypnotic.
This rarely-seen Argentinian feature debut by Hugo Santiago is an unclassifiable eye-opener—a political ‘sci-fi’ piece with cool Melville crime-thriller vibes.
One might disengage with its paganistic and hedonistic excess, but Fellini’s visionary work loosely based on Petronius’ Roman satire is a one-of-a-kind aural-visual extravaganza.
Continue reading →This is free-form, counter-cultural Japanese cinema at its astonishing best—playful, powerful and brutal all in the same breath.
Continue reading →Fassbinder’s second feature continues his minimalist and spare direction, this time centering on a group of xenophobic, good-for-nothing friends.
Continue reading →Fassbinder’s debut feature is a stylish but spare gangster story that works in its own unusual way.
Eternality Tan 