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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

Crash (1996)

December 9, 2025December 9, 2025 by Eternality Tan

Orlando (1992)

December 2, 2025December 2, 2025 by Eternality Tan

Nouvelle Vague (2025)

November 29, 2025 by Eternality Tan

Pat Garrett and Billy the Kid (1973)

November 26, 2025 by Eternality Tan

Dracula (2025)

November 21, 2025 by Eternality Tan

Clouds of May (1999)

November 17, 2025November 17, 2025 by Eternality Tan

Sirat (2025)

November 11, 2025 by Eternality Tan

Bonheur, Le (1965)

November 9, 2025November 26, 2025 by Eternality Tan

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Tag / 1966

August 20, 2024 by Eternality Tan

Masculin feminin (1966)

  • Criterion Collection, Godard, Jean-Luc
  • 1966, France, Jean-Luc Godard
  • 1 Comment

Godardโ€™s work goes right into the heart of French youths at odds with politics and sex, locating the mounting angst and ennui as he imbues his freewheeling drama with a serious โ€˜documentaryโ€™ disposition.ย 

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Rating: 3.5 out of 5.

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January 3, 2024 by Eternality Tan

Law of the Border (1966)

  • Criterion Collection
  • 1966, Turkey
  • Leave a comment

A seminal work of โ€˜60s Turkish cinema, Akadโ€™s neorealist Western features the legendary Yilmaz Guney whose character finds himself at the crossroads between social progress and lawlessness.

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Rating: 3.5 out of 5.

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August 23, 2023 by Eternality Tan

Blow-Up (1966)

  • Antonioni, Michelangelo, Criterion Collection
  • 1966, Michelangelo Antonioni, UK
  • 3 Comments

Antonioniโ€™s first English-language film sees him in peak form, delivering a countercultural classic that is a masterclass in exploring the art and enigma of seeing, creating and deconstructing images.

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Rating: 4.5 out of 5.

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March 2, 2023March 2, 2023 by Eternality Tan

Daisies (1966)

  • Chytilova, Vera, Criterion Collection
  • 1966, Czechoslovakia, Vera Chytilova
  • 1 Comment

Arguably the Czech New Waveโ€™s most fiercely anarchic entry, this experimental cult filmโ€™s wild portrayal of two young womenโ€™s decision to give the middle finger to authoritarianism and the patriarchy remains as effective as ever. 

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Rating: 4 out of 5.

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December 26, 2022 by Eternality Tan

Au Hasard Balthazar (1966)

  • Bresson, Robert, Criterion Collection
  • 1966, France, Robert Bresson
  • 5 Comments

Indescribably a unique, moving experience in this simple yet unconventional tale from one of cinemaโ€™s masters of masters.

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Rating: 4.5 out of 5.

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July 31, 2022July 31, 2022 by Eternality Tan

Nun, The (1966)

  • Rivette, Jacques
  • 1966, France, Jacques Rivette
  • 3 Comments

Nuns of all kindsโ€”caring, sadistic and lesbianโ€”adorn Rivetteโ€™s controversial and sardonic sophomore feature about the ironies of religious faith, built around arguably Anna Karinaโ€™s most enigmatic performance.

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Rating: 4.5 out of 5.

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July 13, 2022 by Eternality Tan

Persona (1966)

  • Bergman, Ingmar, Criterion Collection
  • 1966, Ingmar Bergman, Sweden
  • 2 Comments

Bergman in fine experimental formโ€”still a radical work that explores the theme of personal identity through the performative and illusory medium of cinema.

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Rating: 4 out of 5.

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April 19, 2022June 24, 2024 by Eternality Tan

Hawks and Sparrows (1966)

  • Criterion Collection, Pasolini, Pier Paolo
  • 1966, Italy, Pier Paolo Pasolini
  • Leave a comment

A talking Marxist-leaning crow accompanies an old man and his son as Pasolini fashions a lukewarm comedy with absurdist undertones as it pokes fun at religion, politics and society.

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Rating: 3.5 out of 5.

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April 15, 2022 by Eternality Tan

Sword of Doom, The (1966)

  • Criterion Collection, Others
  • 1966, Japan, Kihachi Okamoto
  • 1 Comment

Uneven storytelling slightly mars this swordplay action-drama classic with one of the most spectacular action climaxes in Japanese cinema.

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Rating: 3.5 out of 5.

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March 22, 2022 by Eternality Tan

Made in U.S.A (1966)

  • Godard, Jean-Luc
  • 1966, France, Jean-Luc Godard
  • 1 Comment

This is Godard having fun with colours and language as its crime-noir trappings somewhat mask the auteurโ€™s increasing fixation on Marxist politics, though the film isnโ€™t always coherent or compelling.ย ย 

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Rating: 3 out of 5.

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