Two decades on, this Oscar-winning, Cannes Palme d’Or-nominated (!) animated delight remains as energetic, refreshing and meaningful as ever.
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Shrek (2001)
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Category / Popular
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Matrix Resurrections, The (2021)
This is the worst ‘Matrix’ by miles—a tediously talky, muddled mess of meta-recursive ideas that dilutes the mythology that made the trilogy, flawed as it may be, such a blast.
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Spider-Man: No Way Home (2021)
The tick-the-checkbox fan servicing approach is a mixed bag—the nostalgising can be oddly satisfying but the storytelling ironically feels regressive in the very construct designed to entertain a range of creative possibilities.
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Eternals (2021)
Probably a stretch to say that this is Malick meets Marvel, but Chloe Zhao delivers something different—a slower-paced, exposition-heavy actioner about creationism, existence and the ties that bind superheroes to their humanity.
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No Time to Die (2021)
A rather bloated effort despite the generous and intense servings of action, this is a half-decent final outing for Daniel Craig’s Bond.
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Kingdom of the Crystal Skull, The (2008)
The continuation of one of popular cinema’s enduring franchises is also one of Steven Spielberg’s rare misfires.
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Jurassic Park (1993)
Last Crusade, The (1989)
Spielberg’s strong morality tale against greed is as spectacular as it is funny – my favourite of the Indiana Jones films.
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Matrix, The (1999)
A landmark ‘90s sci-fi masterpiece with that rare combo of style and substance—two decades later, it loses none of its sobering philosophical inquiry.
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Soul (2020)
It doesn’t always cohere with a creative concept that sometimes overreaches, but this is Pixar at its most existential, exploring the meaning of life at the crossroads of passion, purpose and living.
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Eternality Tan 