Ann Hui’s horror-comedy is at best an odd curiosity, a way too convoluted genre exercise that still manages to flaunt its film language, as Shu Qi plays a woman who can see ghosts.
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Visible Secret (2001)
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Category / Hui, Ann
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July Rhapsody (2002)
A down-to-earth and poignant drama about a female student who has a crush on her married male teacher facing a midlife crisis, featuring indelible performances from Jacky Cheung, Anita Mui, and a breakout role by Karena Lam.
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Boat People (1982)
It’s tragic and overly melodramatic for sure, but Ann Hui’s then-controversial work about the sufferings of the Vietnamese post-Vietnam War remains a significant entry of the burgeoning Hong Kong New Wave.
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Summer Snow (1995)
Rich characterisations adorn this talky slice-of-life drama from Ann Hui as it tackles love-hate family dynamics and dementia with bittersweet results.
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Love After Love (2020)
Ann Hui’s latest period piece has a slow-burning elegance, but despite the array of world-class talents involved—Christopher Doyle, Ryuichi Sakamoto and the late Emi Wada—and adapted from an Eileen Chang text no less, it feels too thematically shallow to work.
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Love in a Fallen City (1984)
Continue reading →It’s not a bad adaptation of Eileen Chang’s novella, but Ann Hui’s film here doesn’t really feel resonating or powerful enough to work.
Song of the Exile (1990)
Continue reading →Ann Hui’s underrated work is a masterful commingling of memory, identity and diasporas.
Simple Life, A (2011)
Continue reading →Amid the laughter and tears lies a film that subtly calls to attention the fragility of human relationships, no matter how close they are, in a modern, urban society.
Golden Era, The (2014)
Continue reading →A poetically-told 3-hour long account of the life story of famous Chinese writer Xiao Hong with sumptuous visuals and elegant direction.
Secret, The (1979)
Continue reading →Ann Hui’s debut feature is a confidently-mounted crime-mystery with elements of horror that will chill and thrill you.
Eternality Tan 