A drama exploring the pent-up angst between a mother and daughter with emotionally intense performances by Bergman and Ullmann.
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Autumn Sonata (1978)
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Category / Criterion Collection
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Clean Slate (1981)
This acidic, darkly comic French neo-western adapted from Jim Thompson’s Texas-set novel, but brilliantly transposed to West Africa, is one of Tavernier’s greatest accomplishments.
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Persona (1966)
Bergman in fine experimental form—still a radical work that explores the theme of personal identity through the performative and illusory medium of cinema.
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King of the Hill (1993)
Soderbergh’s first studio effort is rich in its ‘30s Depression-era period detail, while also functioning as a coming-of-age tale with an unexpected touch of warmth.
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Modern Times (1936)
Chaplin’s brilliant film imbues his signature physical comedy into a tale about unemployment, homelessness and modern industrialisation, poignantly marking the end of the silent era in American cinema.
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Seventh Seal, The (1957)
Bergman’s most famous and influential work captures the torment of existence and mortality as a weary knight seeks for the elusive assurance of God as Death comes for him.
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Zatoichi Meets the One-Armed Swordsman (1971)
An interesting, and at times, comical crossover between two cultural action icons, this is a generally satisfying if predictable entry.
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Virgin Spring, The (1960)
One of Bergman’s quietest films, but therein lies a powerful and existential meditation on religion, vengeance and guilt.
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Zatoichi Goes to the Fire Festival (1970)
A rare ‘Zatoichi’ entry with not one but two ruthless villains hogging the spotlight, which is a double-edged sword for character development, though it delivers in terms of action.
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Remorques (1941)
One of Gremillon’s best-known works, this part sea action, part romance drama strikes a strong emotional chord with its performances and melodramatic flair.
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Eternality Tan 