The second instalment of Andersson’s absurdist ‘Living’ trilogy is a gentler but no less incisive take on the beauty and doldrums of human existence.
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The second instalment of Andersson’s absurdist ‘Living’ trilogy is a gentler but no less incisive take on the beauty and doldrums of human existence.
There’s something elusively poetic about this dementia drama from Chang Tso-chi that elevates it into rich yet nuanced work about a fractured family’s relational dynamics in flux.
Joachim Trier’s attempt at genre-type filmmaking doesn’t really break new ground in this straightforward Norwegian psychological drama centering on a young woman with hidden telekinetic powers.
This wholly inventive and constantly surprising first film of Andersson’s ‘Living’ trilogy is one of the finest contemporary examples of absurdist cinema.
A dead body is found in the Mongolian steppes in this sublimely-shot if at times bizarre arthouse tale about carnal desires and the cycle of life.
Studio Ghibli’s first full digital animation is a light-hearted and free-spirited take on urban family life told in humorous, sometimes fantastical, vignettes that are created in a minimalist watercolour style.
There’s enough humour and ‘70s romantic schmaltz in Andersson’s first feature to make it a pleasing slice-of-life experience.
A layered, non-linear Taiwanese LGBT drama centering on the outsiders of society—their lives, struggles, and tragedies.
The mid-‘90s assassination of then Israeli Prime Minister Yitzhak Rabin is radically told from the point-of-view of the assassin in this urgent and incisive sociopolitical-thriller about the dangers of holding extremist worldviews.
A familiar if exposition-heavy anime that prides itself in being remarkably composed with its sheer beauty and breathtaking visuals.