One of the most crowd-pleasing Singaporean films of the 2000s, Royston Tan’s getai movie is both riotously funny and a tearjerking melodrama.
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One of the most crowd-pleasing Singaporean films of the 2000s, Royston Tan’s getai movie is both riotously funny and a tearjerking melodrama.
Royston Tanโs latest would make a strong double-bill with Kiarostamiโs ’24 Frames’โa provocative and clever meditation on the ephemerality of mortal existence as captured through the meta-fictivity of his cinema.
This heartfelt, partially-animated documentary centering on a Japanese man who lost his wife in the 2011 tsunami doesnโt have any pretensions and works because of its sincerity.
As a wacky satire on Singaporeansโ pursuit of (a regulated kind of) happiness, this genial comedy might just as well be science-fictionโor not.
Khooโs work here is a gritty โfreak showโ first, and a heartfelt drama second.
Authentically depicting the academic struggles of several students from the Normal Technical stream in a Singapore neighbourhood school, this illuminating documentary is a must-watch for teachers, students and parents hoping for a pedagogical way forward.
Chenโs introspective sophomore effort features a delicate lead performance by Yeo Yann Yann which elevates a narrative that seems content to operate in a single gear.
Resonating, emotionally potent and an astute depiction of growing up in Singapore in the late 1990s, Chen’s work will please both film enthusiasts and the common folk.
Continue reading →A well-executed omnibus work showcasing five diverse shorts featuring five different dialects, made with the unique sensibilities of their creators.
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Khoo’s loyal fans and Tatsumi’s cult followers will lap up this highly-personal animated film.