Beguiling if also bewildering, this newly-restored pre-’79 Iranian rarity is ultimately elusive and muddling in its thematic exploration of paranoia, traditions and taboos, as a mysterious wounded man drifts ashore on a boat.
An Iranian doppelganger thriller exploring themes of identity and anxiety that is bursting with tense, moody atmosphere as a married couple encounters another couple that looks just like them.
You would expect no less than a meta-filmic experience from Panahi where he slyly—and sometimes angrily—comments on the shackles of traditions and laws in relation to freedom, but for once he overreaches with his creative approach.
A revelatory feature debut by Ghobadi, whose work with child actors and eye for natural landscapes is remarkable, telling a story of perseverance amid desperation set near the porous if dangerous Iran-Iraq border.
Tonally uneven and tries too hard to be captivating, Panah Panahi’s tragicomic debut feature is a mixed bag of a road movie, despite the picturesque cinematography and some genuine moments of human empathy.
A Best Director winner at the Berlinale, Farhadi weaves a complex web of human relationships that become incredibly strained when a young woman mysteriously disappears in this riotous if unsettling drama.
Women seem to know the answer to men’s problems in this superlative suspenseful drama from Farhadi, as suspected infidelity threatens to ruin the lives of a married couple.
Farhadi’s second feature is, in hindsight, a companion piece to A Hero—while it lacks the nuance of his later works, one can already witness his penchant for telling intricately-plotted dramas about morality.
The finest film Farhadi has put out in years—here he skilfully draws out a complex, delicate drama with weighty themes of morality, truth and honour from a simple premise: a debt-ridden prisoner and a bag of gold coins.
Kiarostami shoots the close-ups of more than a hundred actresses as they watch a theatrical presentation unfold in this conceptually bold but ultimately uninvolving treatise on the nature of spectatorship.
Eternality Tan 