Continue reading →It’s not a bad adaptation of Eileen Chang’s novella, but Ann Hui’s film here doesn’t really feel resonating or powerful enough to work.
Continue reading →It’s not a bad adaptation of Eileen Chang’s novella, but Ann Hui’s film here doesn’t really feel resonating or powerful enough to work.
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A violent climactic showdown between cops and drug dealers redeems this part-intriguing, part-draggy work by Johnnie To.
Continue reading →A film of two halves – the first uninteresting, and the second intriguing in this flawed Johnnie To drama.
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There’s not much action in this, but To develops a mostly engrossing triad flick about infighting and power plays.
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More of what we have come to expect from Johnnie To operating in the crime-thriller territory, but now with a French lead in tow.
Continue reading →Ann Hui’s underrated work is a masterful commingling of memory, identity and diasporas.
Continue reading →Amid the laughter and tears lies a film that subtly calls to attention the fragility of human relationships, no matter how close they are, in a modern, urban society.
Continue reading →A poetically-told 3-hour long account of the life story of famous Chinese writer Xiao Hong with sumptuous visuals and elegant direction.
Continue reading →Ann Hui’s debut feature is a confidently-mounted crime-mystery with elements of horror that will chill and thrill you.