The emerging Georgian filmmaker’s second feature is an entrancing anti-romanticisation of the romance tale, recalling the artful whimsy and playful storytelling of Miguel Gomes.
One of the most significant works of Georgian cinema, this anti-totalitarian film previously banned by the Soviets deals with its serious themes through a potent mix of acute symbolism and surrealist absurdity.
Told in numerous short vignettes, Parajanov’s late Georgian film retains the exotic, cultural elements that define his work, but occasionally struggles to find a balance between experimentation and storytelling.
Eternality Tan 