Way too stilted and spiritless performances mar Schoenbrun’s aesthetically ‘flamboyant’ but ultimately vacant feature about gender and mediated identities, as two teenage social misfits find a human connection over a long-running television show that mysteriously gets cancelled.
Lanthimos’ weakest work since ‘Alps’ is an uneven if morbid triptych of stories that operate as playful, nihilistic exercises at best, led by Cannes Best Actor winner Jesse Plemons and Emma Stone.
One of 2024’s most beguiling films as the relationship woes of a European couple bring us all over colonised Asia, but the always deceptive Gomes plays with time as an artificial construct, celebrating modern Asia and traditional Asian arts with hints of Jia Zhangke and Apichatpong Weerasethakul.
There is enough time-ticking tension to make the age-old formula work to some extent, though it can also feel emptily spectacular but still somewhat entertaining in this half-decent entry to the ‘Alien’ franchise.
A construction worker becomes an actor in a theatre production of ‘Romeo and Juliet’ in this moving and sincere film about how art can help us process grief and cope with daily strife, played by a real-life family of acting professionals who give such naturalistic performances.
A polished but disturbing period film with a ‘modern’ sound design, set in the years after WWI in Copenhagen, as an unemployed and pregnant young woman seeks refuge with an older woman who operates a clandestine baby adoption service.
A Finnish youth environmental activism documentary that is surprisingly genteel, and hence quietly effective and reflective, encouraging us to be compassionate to activists—and as activists—in active modes of disruption.
Glass’ sophomore feature is tense, stylish, violent, sexy and takes some artistic risks, headlined by an excellent Kristen Stewart playing a gym manager who falls in love with a female bodybuilder in a drugs-and-guns-infested small town.
This breakout hit from Sundance about growing up as an Asian-American in the late 2000s is energetic and emotionally resonant, overcoming its sense of familiarity through the sincerity of its filmmaking.
Grand yet intimate, this Cannes Un Certain Regard award winner, about a man who strikes up a friendship with a black stray dog in a small town, mostly avoids overt sentimentalism in its portrayal of changing times in rural China.
Eternality Tan 