Continue reading →Sensual and resplendent the film may be, but Guadagnino’s masterstroke is to give life to the unspoken—in this case, the bittersweet intimacies of a burgeoning queer romance.
Continue reading →Sensual and resplendent the film may be, but Guadagnino’s masterstroke is to give life to the unspoken—in this case, the bittersweet intimacies of a burgeoning queer romance.
Continue reading →An intimate and visually intuitive portrayal of one young female teenager’s life as she battles her family, friends and school to find her voice and meaning in life in a conservative society.
Continue reading →A Palestinian father-son road trip through Nazareth is handled with nuance and grace despite thorny issues of family and nationalism in this understated offering.
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The melodramatic treatment of its politically-charged subject matter prevents the film from hitting the high notes of a truly thought-provoking work, but it is no doubt riveting and accessible to a wide audience.
Continue reading →Akin goes decidedly more mainstream in this uneven drama fronted by an excellent Diane Kruger.
Continue reading →A worthy follow-up to the cult hit of 1996 that feels less subversive but no less invigoratingly-executed by Danny Boyle.
Continue reading →A sharp and clever genre-bending horror-comedy that is timely in its racial allegory and refreshing in its execution.
Continue reading →Takes a while to set off, but when it does, the film is Kaurismäki at his deadpan comedic best, with a touch of empathy for its characters.