Occasionally too plotty and maximalist in style for its own good, but it is no doubt a stunning sequel with loads of sci-fi spectacle and intrigue.
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Occasionally too plotty and maximalist in style for its own good, but it is no doubt a stunning sequel with loads of sci-fi spectacle and intrigue.
A tad more exciting and invigorating than the first instalment, and one that poses existential questions about the heroic quests of the titular figure(s), this is a continuously inventive and surprising work of blockbuster animation.
Tom Cruise, the consummate entertainer, once again shows us why heโs Hollywood’s last action hero in this penultimate M:I outing that is somewhat bogged down by plotting that is way too reliant on its airy-fairy MacGuffin.
No doubt ahead of its predecessor both visually and technically, with compelling stretches of action and world immersion, but its storytelling depth and character development are unexpectedly shallow.
It does make some attempt in drawing out a poignant story about grief and loss, with Letitia Wright particularly impressive, but this sequel doesnโt quite scale the heights of the first movieโs creative spirit, or share its tautness.
It goes through its storytelling beats without fuss but also without invention, though all that becomes insignificant when you are in the cockpit of a fighter jet in what could be the most immersive blockbuster to be shot aerially since Dunkirk.
The movie that launched the popular action franchise is rather uninspired despite having De Palma at the helmโaction is few and far between and the conversational scenes feel lacklustre.
One of Marvelโs most visually fascinating movies to date, but certainly not one (or two) of their finest hours.
At times packing visual panache yet also feeling run-of-the-mill in terms of plotting, Sam Raimiโs return to the superhero genre is welcoming but non-essential.
Solid and immensely well-crafted if a little too plotty, this Batman channels the dark energy of serial killer, vengeance and torture porn films while, for better or worse, keeping a lid on its bold and perverse aspirations.