Godardโs work goes right into the heart of French youths at odds with politics and sex, locating the mounting angst and ennui as he imbues his freewheeling drama with a serious โdocumentaryโ disposition.ย
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Godardโs work goes right into the heart of French youths at odds with politics and sex, locating the mounting angst and ennui as he imbues his freewheeling drama with a serious โdocumentaryโ disposition.ย
A housewife prostitutes herself to earn more money to enjoy lifeโs luxuries in Godardโs somewhat messy โanything goesโ takedown on consumerism, as he scathinglyโand self-reflexivelyโgoes off tangent in matters of language, the Paris city, love and more.
This is every bit how you might imagine Godard making an anti-war film would look and feel likeโitโs darkly comic, blistering in its attack on warmongers and a fairly underrated work of his early phase.ย
Godard collaborates with Jean-Pierre Leaud in this rarely-seen TV movie whose reach would have surely escaped its audience as the iconoclastic auteur philosophises the end of cinema, complications of production and the malleability of video aesthetics in his inimitable esoteric style.ย ย
This is Godard having fun with colours and language as its crime-noir trappings somewhat mask the auteurโs increasing fixation on Marxist politics, though the film isnโt always coherent or compelling.ย ย
This early Godard sees Anna Karina at her most bewitching (those soul-staring eyes that break the fourth wall!) as the auteur reinvents the โrom-comโ with wilful abandon and artistry.
Banned for a short while in France, Godardโs second feature boldly and stylistically depicts the moral complexities of the Algerian war, throwing audiences at the time an early political curveball.
Godardโs anarchic work of gleeful nihilism is not just a challenging treatise on the corruption and destruction of bourgeois values, but one of his most essential films about the end of civility and civilisation.
Emotions run deep in Godardโs masterwork as it charts the deterioration of a coupleโs marriage whilst set against the chronic uncertainties of a movie production.
Godardโs attempt at mashing multiple genres together in a mystery-type film doesnโt really go anywhere, and in fact, the characters are ironically searching for some kind of direction.