Roy Andersson’s latest won’t turn heads, but it is a tender, and at times, world-weary look at the fallibility of human beings as they eke out a despairing existence. 

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It has its great moments, but Andersson’s ‘Living’ trilogy closes on a lacklustre and disappointing note.

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The second instalment of Andersson’s absurdist ‘Living’ trilogy is a gentler but no less incisive take on the beauty and doldrums of human existence.

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This wholly inventive and constantly surprising first film of Andersson’s ‘Living’ trilogy is one of the finest contemporary examples of absurdist cinema.

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There’s enough humour and ‘70s romantic schmaltz in Andersson’s first feature to make it a pleasing slice-of-life experience.

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