Seduction and intimacy seem to be desirable and repulsive at the same time in this key work of the Greek Weird Wave as the greyish, emotionless world of a young woman and her dying father is depicted with eccentricity.  

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A migrant cyborg is sent out into the world to record moving images of random human encounters in Tsangari’s rather prescient if sometimes incoherent debut feature that distils the sense of obliviousness to the new anxieties at the turn of the millennium.

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